Tag Archives: Graphic Novels
By Jack Vance
Adapted by Humayoun Ibrahim
Published by First Second
Copyright © 2012
What can I say about Jack Vance? Not a thing. The forward to this graphic novel by Carlo Rotella entitled “The Genre Artist” (originally published in Time magazine in 2009) extols the virtues of a Jack Vance story because of his way of creating an occasion and opulent speech in what some might consider just lowly genre fiction. I could not attest to any of this having never read a Jack Vance novel. Then out of the blue comes “The Moon Moth” a graphic novel adaptation “Based on the Classic Short Story,” and I begin to believe that their might be something to the praise heaped upon him.
In this story, Edwer Thissell has been assigned to be the new consular representative to the planet Sirene. Sirene is a place where everyone wears masks and everyone converses by singing with the accompaniment of various instruments. Every mask and every instrument used signify something about the user’s status in relation to others and it is with status, also known as Strakh that one gets what they need. Thissell threw himself into studying and preparation for his new post, but such endeavors did not truly prepare him for the odd customs and quick, harsh justice for missteps in custom. In addition to having to awkwardly stumble through the customs of this new planet he has received orders to apprehend an assassin who has made his way back to Sirene. This man is an Out-Worlder like Thissell, but in a world of masks he is going to be hard to find.
Based on the story premise and the dialogue I certainly now believe that Jack Vance is an unheralded master of words that transcend the sci-fi and mystery genre in which he writes. Just the idea of such a planet with such customs and the dialogue he creates for it speaks to a very imaginative and exacting mind.
What I still cannot speak to is Vance’s ability to set a scene. In this adaptation I am only getting Ibrahim’s take on Vance’s world. In that I am quite disappointed. What this story really requires in a graphic novel is greater detail and a more refined color palette. Just one example of why I say that is found on page 19 and 20. Thissell is preparing for life on Sirene and the computer is telling him about the planets ways; it educates him of their occupation with intricacy; their intricate craftsmanship, symbolism, language, and interpersonal relationships. On page 19 it refers to the intricately carved panels of the houseboats and the intricate symbolism of the masks they wear. These two items are visual in nature and therefore, visually, should be intricately rendered; however I did not find this to be the case. I appreciate simplicity in some graphic novels, but this story begged for more detail.
If nothing else, this graphic novel adaptation has moved me to want to read the original short story. And, maybe I missed it, but why hasn’t anyone made this into a movie?
By Corinne Mucha
Published by Zest Books
Copyright © 2011
The start of freshman year is the first day of the rest of your life, so you’d better get it right. Oh, life used to be so easy.
There is nothing like starting over to make you second guess who you are and where you fit in.
Annie and Richie are entering the 9th grade. They have gone from the top rung of middle school where life was great and they had everything figured out, down to the bottom rung of high school where it seems all of the rules have changed.
Annie and Richie lost the third person in their triumvirate, Beth, over the summer when she got her first boyfriend and started dressing Goth, smoking, and drinking. So each of them is trying to make new friends, but it isn’t as easy as they would have hoped. Annie stresses about her every move ruining her future and Richie just tries too hard. Throw in the obvious teenage attraction to the opposite sex and this school year is going to throw them for a loop. Fortunately they each make one new friend who seems to pull them, sometimes kicking and screaming, through the horror of freshman year.
The art in this 4 color (black, white, grey, and green) in this graphic novel by Corinne Mucha is nothing special, but she obviously wasn’t looking for exact realism or even exaggerated realism. The awkwardness with which her characters are drawn actually seems to accentuate their awkwardness and uncertainty of their situations and mental states. So while the illustrations aren’t the best I’ve seen they are certainly effective.
Obviously the graphic novel format gives itself over predominantly to dialogue writing and I think that Mucha does a great job nailing not only the speech, but the thoughts of many teens. With that in mind there are obviously way more instances of profanity than I care for. “Freshman” really seems to hit on how catty girls can get, so in that vein the word b*#!% is used way too often. Oddly enough I don’t recall seeing any other foul language used.
This story was a realistic, though slightly softened, look at freshman year in high school that If not for the language I would eagerly recommend. While I’m sure that teens are hearing language like this in school and at home that doesn’t make it right, and the frequency with which it is used in this book seems a bit unnecessary. All in all though, there is no violence, no sex, no drugs, and only brief shots of the reality of smoking and drinking among high school students. So I with just a shade of reluctance recommend this for teens 14 and up who I think will really be able to relate to it.
By Jimmy Gownley
Published by Atheneum Books for young Readers
Copyright © 2011
An Amelia Rules Book
Middle School – The purgatory between grades school and high school, the land of pre-teens and newly christened young adults. It is hard enough to navigate this time in your life when everything is great, but it can be harrowing when life throws you curveballs. It makes one wonder what is “The Meaning of Life…
Amelia and her friends know this first hand. Amelia’s parents are divorced. She and her mom recently moved to suburban Pennsylvania. Her aunt Tanner, a former Rock Star, has gone off on tour and hasn’t returned Amelia’s e-mails in quite a while. Joan, Amelia’s new friend, misses her dad who is in the army and is currently deployed. His helicopter crashes and he is unaccounted for. And, the members of G.A.S.P. seem to be growing apart. Throw in authoritarian principals, catty cheerleaders, and the ever changing relationship between boys and girls and life can be tough.
Jimmy Gownley has written and illustrated an entertaining and realistic graphic novel. The artistic style in his work is of the comic strip fashion made famous by Shulz, Johnston, Watterson, and many others. The lifestyles and problems that these kids face though are quite modern. Much of this graphic novel is humorous, but Gownley really portrays the transition, the uncertainty, and the pain of growing up and learning that the world isn’t perfect.
You rarely hear it said that Old-fashioned thinking is a breath of fresh air, but in this case it is. “The Meaning of Life” shows us that some things will always be important like empathy, friendship, humility, love, and loyalty. These are qualities that are often drowned out in modern entertainment. I think I am going to have to go back and find book one in the “Amelia Rules” series so that I can appreciate his story telling more fully. While this graphic novel is suitable for children 8 and up, it will be best understood by kids who are closer to 11 and up. However, if you are 40 and still read comic strips I certainly believe you will enjoy “Amelia Rules” too.
By Hervé Bouchard and Janice Nadeau
Published by Groundwood Books
Copyright © 2011
Harvey is a young Québécois Canadian. His brother, Cantin, is younger than him. The universe has played a cruel joke on Harvey because his younger brother is bigger than he is, and he has to get the hand me downs from Cantin rather than the other way around.
Harvey feels like the character Scott Carey from the 1957 film “The Incredible Shrinking Man” which he stayed up late one night to watch. Not only is he small but he feels different. When his father, whom he seems to love more than his mother, suddenly dies, Harvey’s size seems to be even more of a cruelty.
Reading this Graphic novel is like watching a Foreign Film. It is seems quite muted and introspective considering that it tackles the subject of death. The artwork gives off the same muted vibe. It is some of the gloomiest, almost ugly, illustration that I’ve seen, and yet somehow it works. The illustrations very much fit the gloomy 1950’s pensive feel of the story. One thing in particular that I appreciated was the way the illustrator used successive pictures of the same scene to display grief and loneliness.
“Harvey” is a winner of Canada’s Governor General’s Literary Award. While I enjoyed this graphic novel very much its art school/foreign film feel will really limit the audience that will enjoy it. “Harvey” is suitable for children 12 and up, but it is not for the Superhero Comic set, but rather for those looking for the expression of meaning in artistic literature.
By Bruce Jones
Illustrated by John Romita Jr. and Tom Palmer
Published by Marvel Comics
Copyright © 2002
This compilation features the return of writer Bruce Jones whose depiction of Bruce Banner is emotional and haunted and whose Hulk has regained a more primitive mind. This Graphic novel contains issues 34-39 of The Incredible Hulk.
Bruce Banner has turned into the Hulk again and has gone on a rampage. During this rampage a child, Ricky Myers age 9, dies, or so the public is led to believe. Bruce has no choice but to run and try to stay calm to keep the beast within. It is going to be very hard to stay hidden and calm though when an extremely covert government agency is out to get you, hiring some of the deadliest assassins they can find, assassins that just refuse to die.
This is a great story line and the art is fantastic. I’m not a big fan of the what could have been story arc that ends this book, otherwise it’s a fun graphic novel. Thematically and visually this book would be best enjoyed by those ages 16 and up.
Percy Jackson & the Olympians:
The Lightning Thief – Graphic Novel
Published by Disney/Hyperion Books
Percy is a troubled kid. He has been diagnosed with Dyslexia and ADHD. But come to find out for someone like him it’s normal. Percy is a demigod. He is the offspring of a Greek god and a human. As in the mythology of ancient times such demigods are called heroes, and it is often up to them to help the gods and to save humanity. In “The Lightning Thief” someone has stolen Zeus’ master bolt and the gods are on the verge of all out war. It is up to Percy to find and retrieve the bolt and return it to Olympus before it is too late.
This 128 page graphic novel adaptation of the best selling junior fiction/young adult novel is great. It stays true to the book. It doesn’t really change much of the story. For brevities sake it does omit certain parts of the novel which aren’t necessary to move the story along. This graphic novel is a great book to hand to a reluctant reader to possibly get them interested in reading the novel. Even if it doesn’t motivate them that much, at least you got them to read something.